I have just returned from a week down at Phillip Island.  Our plans were changed as we recently adopted a rescue fur baby.   
The weather was chilly and most days it rained, yet we were able to feast our eyes on some spectacular coastline. 
The day before we decided to head home early, I visited a gallery in the main street of Cowes.  As I walked in, I noticed a board advertising an art class that afternoon. After chatting with the artist owner and her invitation to come back for the class, I couldn't wait to return later that afternoon. 

I enjoyed a few hours of painting a scene from my phone photos. Interestingly, I found it funny to have the colours squeezed onto the palette for me, colours I wouldn't have started with and some colours I would never have picked.  Being an artist who enjoys working with a limited palette and mixing colours to create what is needed, I somehow felt overwhelmed by the colour choices made for me. I work from the sky down and this time I had to start working from the ground up.  I found it challenging, yet exciting and different at the same time. 

It was fun to become the student and experience the class from a completely different way, when the fellow artist had no idea I also create art. 

Featured Artwork: Sunderland Bay, Phillip Island - work in progress, will be available for sale when completed. 
 

When I run classes at any of the programs I run, including at my studio "Art in the Garden Room", I always recommend to sign the artwork and date it on the back. 
I wish I had done this when I started back painting. Fortunately, modern technology means I can work out dates based on the photos on my phone.

I love to look back and see the progression in my artwork, how my brushstrokes have changed, my colour palette and style changes. My art has always been inspired by nature, the style and colour palette has changed over time, yet my artwork continues to be inspired by nature.  Over time, I realised, I  prefer to paint impressionistic and abstract work, using mixed media. 
 
When we look back at our artwork it can trigger ideas, identify what we love, what we prefer to leave behind and monitor our development. Looking back can move you forward to exciting new ideas, spark joy in following your own artistic journey and create a sense of accomplishment.  This is why, I highly recommend having a sketchbook for practice as well as a safe private place for experimentation. 

Do you sign and date your work? Do you like looking at an artist's earlier work?
Feel free to leave a comment below.

Featured Artwork: Spring Meadow
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For most of my working career, I worked remotely.  Mostly the companies were located in different states making remote work the most appropriate way to function. In 2020, many workers were forced into remote working along with school children.  To me, this was my normal way to operate, whereas, for many, it was a new and untested way to operate. 
With the onset of remote working, remote learning also escalated, particularly in areas not exposed to online learning. 
Artists that predominately held in-person classes were forced to embrace the world of online to be able to make ends meet and continue their business. 
Suddenly, artists and art classes from overseas we once earned to attend in person, were now in our bedrooms, home office or kitchen table.  All of a sudden online classes became the norm and in-person classes were a distant memory. Of course, now we have the opportunity to enjoy both.

Whilst online classes offer time flexibility as many are pre-recorded on-demand classes and individually paced, does it deliver on community, collaboration, physical art materials, demonstration and guidance?

In-person, classes tend to require more time and financial investment into your development than a short online course.  However, some fabulous online courses allow you to learn new techniques and genres with little financial investment.  It comes down to how disciplined you are to see it through. 

I feel there is a place for both growing and expanding as an artist.  I don't mind an online course here and there, but I do love attending in-person events and courses more, due to the connections, collaborations and personalised attention.

Which do you prefer online or in-person classes or do you mix it up and use both?
Featured artwork: Morning Walk 

I know the saying well, "life gets in the way".  Back in mid-March, we signed the papers to have some work done in our house. By most people’s reckoning it is small works which includes new flooring and painting throughout the house.
I decided the following weekend to get a head start on culling what wasn’t needed anymore.  I was going along quite well and then we headed to Perth for my dad’s special birthday celebrations. Unfortunately, both hubby and I got sick.
Nevertheless, on our return we started the arduous task of packing up a house that we moved into seventeen years ago.  Oh, boy! Enough of the scene setting……….
Throughout this time, I mostly have only been able to create artwork at classes. Don’t get me wrong, I am so grateful I have this opportunity.  Creating art in classes is very different to creating art on my own in my own space and mostly in silence.  I enjoy the solitude and quiet time creating. Occasionally I may play a podcast or some quiet music but mostly I work in silence.  I also can play and experiment, paint over explore colour options and develop ideas in my space.  One final thing I have noticed is I miss that relaxation time.
Life has certainly taken priority over the last few months and will continue to for at least another 5 weeks.  I am missing my creating for me time, I do know it’s not too far away.  Thank goodness for art classes, I get to enjoy creativity with a great bunch of people at the classes.

As the work picks up in the house this week, I am hoping to pick up the paint brushes in my art shed and get the creativity flowing again.
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Have you had a time where life got in the way of your hobby, desire or plans?  Share any strategies or your tips in the comments below.We would love to see them.   

​Featured artwork:  Waterside
   

Recently I was asked how many art classes I run. I totalled them up and this year it will be approximately 120 classes. I also attend classes weekly, sometimes if I can fit it in I will attend an extra class during the week.
Being up the front and running a class is very different than being a participant, that's for sure.

What I have learnt running the classes is everyone has their way of processing the reference they are replicating. Every person has their own style. You can have a room filled with ten people, all doing the same reference photo, yet, there are ten different interpretations. A part of the reason to factor in is experience. Art classes have a range of people with varying degrees of creating art. The main factor, I believe is our interpretation of the piece. There is no right or wrong, there is no good or bad. There is no perfect piece, there is no dreadful piece. 

When I sit as a student in an art class, I love the ability to learn from the teacher, experiment, practice and enjoy the process. Sometimes, my work at a class I would prefer to throw in the bin, yet I keep it to learn from it. I enjoy finding happy little accidents, solving problems and developing my skills for future work. I don't define myself by the work I produce in an art class.

I do see from time to time, a person wanting to replicate the reference photo exactly, like a photocopy. They admonish themselves for not doing it correctly or right. Occasionally, there are silent tears and bright red faces as the person tries their hardest to find perfectionism in art. Emotions come to the surface of "I'm not good enough", "my art needs to be perfect", and "everyone else is better than me". Negative self-talk that serves no purpose and is definitely no good.

Take Vincent van Gogh, one of the world's most renowned painters, yet he is synonymous with the term 'a tortured artist'. He died at the early age of 37 and sold only one painting. In ten years he produced almost 900 paintings and around 1100 works on paper.

Sadly, Vincent didn't get to see how some of his works are the most expensive in the world, his art style laid the foundation for future artists and he was one of the most influential artists in the history of art.

So, my biggest takeaway and advice if I may...... enjoy the class, learn the process, develop skills, use what you learn for future work and don't define your ability by what is done on the day. You do you, comparison kills creativity and joy.

What are your thoughts on comparison and self-talk? Share your thoughts and leave a comment below.

The idea of every day being able to paint, create and live a stress free life is a picture of an idyllic world. My mind conjures up an art studio filled with canvases, paint brushes, old furniture and light streaming through an open window with a light breeze playing with the curtains that hang on either side. Ok, then I wake up to reality.  
Having an art business is not all art, there is so much more to running the business. Just like, any small business, you need to wear many hats throughout the day, week and month. Those hats vary from doing accounts, marketing, class planning, resource investigation, purchasing supplies, loading and unloading the car, driving to various venues, preparing and posting social media posts, writing blog posts and working with art class clients for the sessions. Boy, all this, plus more and I haven't even touched a paintbrush. 
I love all the moving parts that come with my art business, every day is varied and full of opposites. Creative to the mundane, silence and seclusion to chatter and people filled rooms.  

Generally, my week is dictated by my diary, where I will be, and what medium we are using in each class. My main priority is preparing for classes, I want to make sure I am prepared for each class, running over 120 classes a year takes a lot of organising. Once the classes are prepared, now I slot in all the other things on my to-do list. Some tasks are daily, some weekly and some monthly, it makes it easier to keep on top of all the little tasks that add up. 

I attend an art class myself, once a week, which helps me to keep developing my art. I also like to schedule my time to create and produce artwork for my open studios twice a year. Now, that is a whole other list.

Being able to block out time to create is so important to me now more than ever. I get to create what I want, and what I love and take my time. I savour every minute that I get to work on a piece that takes my mood and uses the medium that speaks to me on the day.

How do you prioritise your to do list to include creative time? Share your tips below in the comments.