As much as I would love to have hours and hours to sit and paint, the reality is, it just doesn't happen very often. Like many of us, to be able to paint for several hours in one go is a luxury and one that doesn't happen as often as I would like. With running art classes and an impending house renovation calling for attention, I manage to carve some time into my week to play in the sketchbook and lately creating mini landscapes. These landscapes are half an A4 size paper,or some are 20cm x 20cm. The paper has a luxurious feel as it is 100% cotton watercolour paper and is a pleasure to work on. Allowing myself an hour or so to work on a landscape or finish one off means I am still able to create for my art business. Most importantly, I continue to keep that creative muscle working. The joy of time carved out of a busy schedule helps to calm my mind, taking time to forget about what is happening around me, my to do list or anything else that pops up. Growing up, I had no idea my grandmother my dad's side was an artist. It wasn't until recent years I found out she worked with charcoals and watercolour. I now sit and wonder if this was her stress release from her busy life of being a nurse, mother and living on a poultry farm. Besides the escapism, the joy of honing my skills with watercolour and gouache on small works. You can see some of my current mini landscapes created during these times. Please feel free to leave a comment below.
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To easel or not to easel, is the question today. When I got back into creating, I purchased a small desktop easel to hold my small canvases. It was good enough; I didn't know if I was going to continue the creative journey when everything when back to "normal" so I went with a cheap and cheerful option which suited me at the time. Within a few months, I realised the cheap and cheerful just wasn't cutting it, so ordered in a desktop easel which was so much better with larger canvases. I soon learnt I much preferred standing to paint than sitting. A few more months later during one of the breaks in lockdown, my gorgeous hubby came home with a studio easel for me. I love it and use it every day I am in the studio. It is sturdy, holds large canvasses and is now covered in paint, I think the paint gives it character. I found as my circumstances changed and also my painting style I needed a few different easels. My larger desktop easel is still on hand for when I am sitting at my desk and creating, my studio easel is a must and I have a few portable easels I use for open studios and displays. I have also been using the portable tripod to take to my art classes. The tripod easel I have been taking to various classes is great, yet it is bulky to leave in the boot of the car. I had been eyeing off on Amazon a tripod easel with a shelf etc. (pictured). So last week I ordered it, and it arrived 2 days later. I was pleased to see it fits in a small bag and is so light and versatile. I can now use it at my art classes, along with en plein air excursions and also painting demonstrations. You don't need to be like me and have multiple easels, pick one that suits your needs, ask yourself, will I be painting on paper or canvas? Will I be creating large or small pieces? Do I need to incorporate storage? Does it need to be portable? Can I leave it up or do I need to pack it away? Do I like working on an easel or on the table? What type of medium will I be using? Once you have answered these simple questions you will have a better understanding of your easel requirements. You can check out some of my favourite tools and a couple of easels. How do you like to work? Leave a comment below. |
AuthorLee Cummins is a mixed media artist, workshop and art class facilitator. Archives
December 2024
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