My life has changed in so many ways to what it was even ten years ago. I was working and juggling a business. I seemed to always be on the go and in a rush. I would be full speed from one appointment to the next, rushing to make deadlines, rushing to a meeting, rushing home, rushing, rushing, rushing. There was no time to stop, look around and smell the roses. When my business closed due to COVID, I was spending more time creatively; I was less rushed. I slowed down and adjusted my thinking, my speed, and my entire outlook. I started to stop and smell the roses, take in the scents that surrounded me, the colours that engulfed my views, the shapes that danced in front of my eyes. I started to see the world from the artist's eyes. Where I teach art classes, one of the participants said to me recently, "I walk differently now". She went on and explained, I now really see the sunset or sunrise, I now look at a tree and see the gnarly bark and twigs, I see the different greens in the grass. I understand what she was sharing, as I experienced the same when I started to slow down and invest in my creative experiences. I do walk differently, my eyes are open to the wonders that surround us every day. The ever-changing colours in the sky, the earth, grass and vegetation. The shapes in buildings, fences, nature, and structures. Suddenly, everything took on a new meaning, new excitement and new opportunities. My walk was mindful and I was in the moment, experiencing the delights I had rushed past for so long. Do you enjoy walking, have you slowed down to stop and smell the roses? How does it make you feel? Drop a comment below and share your story. Photo: Rose from our garden
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Just this weekend, I was gifted a weekend to myself. Hubby headed off to a blokes weekend in the country and I had the house to myself. As our little fluffy mate passed away over three months ago, there was no one relying on me or waiting for me. I was as free as a bird to do as I pleased. The monthly paint-out had been postponed due to inclement weather. This had been my only commitment over the weekend. After heading out for some extra art supplies I headed back to my studio with the heater blasting and started on a project I had not had time to do for months. The panels I had purchased had sat there on my shelving teasing me every time I went into the art shed. They would look at me and I at them, wishing I had the time to take them off the shelf, unwrap them and then cover them with creamy delicious acrylic paint. I started slowly on my idea using paper and working on my idea for the eight panels. Suddenly two hours had slipped by as I worked on a small 20cm x 20cm piece. I was happy with the outcome. Finally, the next day I set up in the garden room with panels, paint, water, brushes, palettes and paper towels, I was ready. I could now start on my project giving it my full attention. Throughout the process, I mixed an array of colours, used a variety of mark-making tools and skimmed books for the right words to jump out at me for the collage. It was exhilarating, to say the least. I didn't stop for a coffee or a break, I was so focused and in my zone. After many hours, I was finished, it was time to sit back and let them dry so they could be varnished. The gift of a weekend to enjoy creating was invigorating, peaceful and filled with what I love to do. I think you need one of these weekends once and a while. How would you spend the gift of a weekend to yourself? Leave your comment below. Featured artwork: Unscaled Peaks and Uncharted Waters I can sit and while away hours lost in paint, brush and thoughts. Often, I get lost in the art, conjuring up stories or scenarios that fit with a scene. Take the piece pictured to the left. I imagined myself on this secluded beach, nestled in the rocks with a book, the sun glistening on my skin and the gentle lap of the ocean coming up to the shoreline. I transport myself to that place, if only for the time I am creating, even though it may be raining and windy outside. Some people create art for their pleasure, a form of relaxing, rejuvenation of the mind and soul and a pleasure entirely for themselves. There is no intention for the completed artwork, only for the moment. Hobbyist's create for the joy of a hobby that keeps them active, connected and enjoying their pursuits. Often,joining a group with likeminded creatives. There is also the part time or full time artist who creates art for not only the joy but for the purpose of selling their works. Some are creating for the purpose of their work to be hung in a gallery or museum. Ask yourself, am I creating this piece for: it to be in a museum? it to be in a gallery? to be sold? to hang on my wall at home? me to have no expectation? me to enjoy the time relaxing, having fun and forgetting what is going on in my life? There is no right or wrong to any of the reasons we create art. When I am in the studio or out an about creating, I don't have anyone in mind, I don't create with the intention to put the piece up for sale. I create for the joy, the experieince and the sheer enjoyment and pleasure of creating. I personally think, for me, it takes the pressue off, it allows you the freedom to explore, break the rules, have fun, create without expectation. If someone loves what I have created enough to purchase it, take it to their home and enjoy it, that is all I can ask for beyond my pleasure. Are you a creator or an admirer? Leave your comments below. I remember years ago, I used to go to the hairdressers to get my hair streaked. Sitting in front of the mirror with the cap on, hair pulled through tiny holes sticking out everywhere, it was an ugly sight. (i'm giving my age away!) As I sat there waiting for the colour to develop I would put up with it knowing that when the cap came off, my colour would be vibrant and my hair would feel great. Of course, there were many steps to getting my hair from looking like I had put my finger in an electric socket to coiffed and ready to take on the world with my new hairdo. Can you relate? So often in art classes, I hear from the room many times, OMG, this is ugly, followed by a big sigh. Sometimes, I am asked for some more substrate to start again. The fact is nothing is beautiful during a process. Building a home, you start with an empty block, building on it and developing it over years to get it where it is today. Baking a cake or cooking your favourite dish, you wouldn't eat part of it during the process, it would taste awful without all the ingredients put through the process. The same is true when creating art. It is a process, artwork has many layers to it. Building on it, lovingly adding a brush mark here, a pen stroke there, mixing colours, adding subtracting, highlighting, toning down, mark making, pulling back. All of the different components make up the work. All artwork as with everything that has a process goes through an ugly stage. We wouldn't get up from the hairdresser chair and with the cap on and say "hey, this is ugly, I'm giving up on getting my hair done." or "Stop building my house, I wanted a landscape garden with a path to walk up to the front door, even though it's not there yet." Get my drift? Art work is the same, it takes time, patience, perseverance, vision and faith. Not every artwork will work out how you thought, it could work out even better. If you give up, or walk away and not go back to it you will never know and you will never learn. I find if I am stuck and not sure what to do, I walk away for a little while and come back, looking at it with new eyes, a new perspective. I work through what I need to do to take it from the ugly stage to developing it further. You never know you might just make your most perfect masterpiece if you work through the ugly stage. Does your artwork go through an ugly stage? How do you overcome it? Share your ideas and leave your comment below. En plein air, a French phrase meaning “in the open air,” describes the process of painting a landscape outdoors. Artists venture into natural settings, to capture the play of light, colour, and atmosphere from nature. When I started back painting in 2020, often we would grab a couple of camping tables and sit in the backyard and paint our beautiful outlook. I forgot how much I loved being in fresh air, sun shining and being at one with nature. Last year I had planned to start running en plein air mornings in the local area. With personal illness and family matters, it went on the backburner, until now! After a few promptings from some of my classes, I realised now was the time to execute these monthly jaunts into nature. Funny, the website page had sat there for the best part of 12 months waiting for the right time. I am looking forward to the first one coming up in just a few weeks. The artwork above is from the day I went out and scouted around for some lovely scenery. Using a sketchbook, pencils and some Gouache I was able to capture the day in my sketchbook. The colours, the shadows and the feeling. It was wonderful to be there amongst the bird life, the chitter chattering and the different bugs that make ever so slight noise. Every now and the, the feet on sand of the runners would break the sounds of the bush. It is a fantastic experience and something I think is great to try. Any level of artist can enjoy a paint out in nature. You can take what is in front of you and put your spin on it, your interpretation of what you see. You don't have to have a swag of supplies, you can take minimal supplies or go all out. I have put together a comprehensive list of what you could take with you. Obviously, you can be as thrifty with your supplies as you wish. If you would like to take a look at the list and even join me you can find out more here. Do you do paint outs? What do you take as your essentials? Share below your best tips for en plein air supplies. A few years ago, I did a course on using a limited palette. I found it to be a stretch initially using just a few colours and black and white. So what is a limited palette? Imagine you're baking biscuits, but you only have a few ingredients in your pantry. A limited palette in art is like that, it's when you choose to work with only a small set of colours instead of having every colour available, just like having only a few ingredients for your biscuits. So, instead of using every colour in your art supplies kit, you might pick just three or four main colours, like red, blue, yellow, and maybe white. I also like to have black or Payne's Grey. With these colours, you can mix and blend them together to create all sorts of new and exciting colours. Working with a limited palette is a fun challenge. It helps you focus on learning how colours work together and how to mix them just right to get the shades you want. Plus, it can make your artwork look really harmonious and cohesive because all the colours are related to each other, just like all the ingredients in your biscuits work together to make them taste great! One of the main reasons I love to work with a limited palette, it makes me stretch myself with blending colours to get just what I need and want for a particular piece. The photo of a work in progress in this post is using a limited palette of cobalt blue, Payne's grey, cadmium yellow and burnt sienna with white for adjusting tones. Mixing colour with a limited palette is one of my favourite ways to paint. If you are just starting out, you can start with a few colours and mix your colours without buying every tube on the shelf! So, think of a limited palette as your artistic recipe. You might not have every colour in the world, but with a little mixing and experimenting, you can create something really special! You can find some of my favourite tools here If you have favourite colours you use in a limited palette, why not share them in the comments below. |
AuthorLee Cummins is a mixed media artist, workshop and art class facilitator. Archives
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