As much as I would love to have hours and hours to sit and paint, the reality is, it just doesn't happen very often. Like many of us, to be able to paint for several hours in one go is a luxury and one that doesn't happen as often as I would like. With running art classes and an impending house renovation calling for attention, I manage to carve some time into my week to play in the sketchbook and lately creating mini landscapes. These landscapes are half an A4 size paper,or some are 20cm x 20cm. The paper has a luxurious feel as it is 100% cotton watercolour paper and is a pleasure to work on. Allowing myself an hour or so to work on a landscape or finish one off means I am still able to create for my art business. Most importantly, I continue to keep that creative muscle working. The joy of time carved out of a busy schedule helps to calm my mind, taking time to forget about what is happening around me, my to do list or anything else that pops up. Growing up, I had no idea my grandmother my dad's side was an artist. It wasn't until recent years I found out she worked with charcoals and watercolour. I now sit and wonder if this was her stress release from her busy life of being a nurse, mother and living on a poultry farm. Besides the escapism, the joy of honing my skills with watercolour and gouache on small works. You can see some of my current mini landscapes created during these times. Please feel free to leave a comment below.
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En plein air, a French phrase meaning “in the open air,” describes the process of painting a landscape outdoors. Artists venture into natural settings, to capture the play of light, colour, and atmosphere from nature. When I started back painting in 2020, often we would grab a couple of camping tables and sit in the backyard and paint our beautiful outlook. I forgot how much I loved being in fresh air, sun shining and being at one with nature. Last year I had planned to start running en plein air mornings in the local area. With personal illness and family matters, it went on the backburner, until now! After a few promptings from some of my classes, I realised now was the time to execute these monthly jaunts into nature. Funny, the website page had sat there for the best part of 12 months waiting for the right time. I am looking forward to the first one coming up in just a few weeks. The artwork above is from the day I went out and scouted around for some lovely scenery. Using a sketchbook, pencils and some Gouache I was able to capture the day in my sketchbook. The colours, the shadows and the feeling. It was wonderful to be there amongst the bird life, the chitter chattering and the different bugs that make ever so slight noise. Every now and the, the feet on sand of the runners would break the sounds of the bush. It is a fantastic experience and something I think is great to try. Any level of artist can enjoy a paint out in nature. You can take what is in front of you and put your spin on it, your interpretation of what you see. You don't have to have a swag of supplies, you can take minimal supplies or go all out. I have put together a comprehensive list of what you could take with you. Obviously, you can be as thrifty with your supplies as you wish. If you would like to take a look at the list and even join me you can find out more here. Do you do paint outs? What do you take as your essentials? Share below your best tips for en plein air supplies. To easel or not to easel, is the question today. When I got back into creating, I purchased a small desktop easel to hold my small canvases. It was good enough; I didn't know if I was going to continue the creative journey when everything when back to "normal" so I went with a cheap and cheerful option which suited me at the time. Within a few months, I realised the cheap and cheerful just wasn't cutting it, so ordered in a desktop easel which was so much better with larger canvases. I soon learnt I much preferred standing to paint than sitting. A few more months later during one of the breaks in lockdown, my gorgeous hubby came home with a studio easel for me. I love it and use it every day I am in the studio. It is sturdy, holds large canvasses and is now covered in paint, I think the paint gives it character. I found as my circumstances changed and also my painting style I needed a few different easels. My larger desktop easel is still on hand for when I am sitting at my desk and creating, my studio easel is a must and I have a few portable easels I use for open studios and displays. I have also been using the portable tripod to take to my art classes. The tripod easel I have been taking to various classes is great, yet it is bulky to leave in the boot of the car. I had been eyeing off on Amazon a tripod easel with a shelf etc. (pictured). So last week I ordered it, and it arrived 2 days later. I was pleased to see it fits in a small bag and is so light and versatile. I can now use it at my art classes, along with en plein air excursions and also painting demonstrations. You don't need to be like me and have multiple easels, pick one that suits your needs, ask yourself, will I be painting on paper or canvas? Will I be creating large or small pieces? Do I need to incorporate storage? Does it need to be portable? Can I leave it up or do I need to pack it away? Do I like working on an easel or on the table? What type of medium will I be using? Once you have answered these simple questions you will have a better understanding of your easel requirements. You can check out some of my favourite tools and a couple of easels. How do you like to work? Leave a comment below. A few years ago, I did a course on using a limited palette. I found it to be a stretch initially using just a few colours and black and white. So what is a limited palette? Imagine you're baking biscuits, but you only have a few ingredients in your pantry. A limited palette in art is like that, it's when you choose to work with only a small set of colours instead of having every colour available, just like having only a few ingredients for your biscuits. So, instead of using every colour in your art supplies kit, you might pick just three or four main colours, like red, blue, yellow, and maybe white. I also like to have black or Payne's Grey. With these colours, you can mix and blend them together to create all sorts of new and exciting colours. Working with a limited palette is a fun challenge. It helps you focus on learning how colours work together and how to mix them just right to get the shades you want. Plus, it can make your artwork look really harmonious and cohesive because all the colours are related to each other, just like all the ingredients in your biscuits work together to make them taste great! One of the main reasons I love to work with a limited palette, it makes me stretch myself with blending colours to get just what I need and want for a particular piece. The photo of a work in progress in this post is using a limited palette of cobalt blue, Payne's grey, cadmium yellow and burnt sienna with white for adjusting tones. Mixing colour with a limited palette is one of my favourite ways to paint. If you are just starting out, you can start with a few colours and mix your colours without buying every tube on the shelf! So, think of a limited palette as your artistic recipe. You might not have every colour in the world, but with a little mixing and experimenting, you can create something really special! You can find some of my favourite tools here If you have favourite colours you use in a limited palette, why not share them in the comments below. I love painting, I love sketching and I love spending time in my art shed. As soon as hubby heads off for golf with his buddy's, I have whipped open the door of the studio before he has even reached the end of the driveway. There is something about having no one around, no distractions, no noise, nothing for me to even think about. I open my sketchbook and lose myself in the pages. sometimes I decide to use watercolour, other times acrylics or there are times I delve into the art supplies and enjoy the freedom of mixed media. There is no rhyme or reason to what medium I choose. Sometimes, I flit between sketchbooks, Just the other day, I went from sketchbook watercolour (the photo is the end result of my sketch book watercolour) to a canvas using bold vibrant colours with impasto medium. As one part dried I worked on the other. Can you believe three hours had passed by without me even knowing it. There is something said about immersing yourself in art. For me I go to a place where worries, sadness, hurt, frustration and negative thoughts don't live. This is a place that is void of negativity and a place where time stands still. This is a place that time forgot and peace exudes. Does art give you a happy place? Does art give you a sense of peace that can reinvigorate you and send you back into the world refreshed and positive? Leave your comments below and let me know what art does for you and if you can relate, I love music, I have an eclectic taste in music which I was able to indulge in for 10 years as a radio show producer and presenter. I could pick and choose what to listen to in between the on-air interviews. You now have access to any song, genre and artist and thousands of podcasts with apps such as Spotify, Apple Music, Iheartradio and the like. I have also had two successful podcasts in the past both interviewing guests and sharing knowledge from LBA (life before art). You can probably tell I love sound and can be highly auditory given the nature of my past exploits. For me creating art is intensifying my visual skills and has reduced the need for auditory stimulation. Initially when I started creating again, I sat in silence and got lost in the paints. It was so relaxing and peaceful. It was also at a time that there was a lot of negativity and sadness in the world with the pandemic. Over the years I transitioned to a playlist for creating. It is easy to listen to and has intermittent songs I can hum or sing along to. I know of many artists that prefer to paint and create listening to music from various genres such as classical, heavy metal to easy listening. Occasionally I listen to a podcast from my favourite art podcasts such as Art to Life, Art Chatter and my all-time favorite Art Juice. Lately, I have opted for silence. I have been enjoying creating florals and being present in the moment of creating in silence. The stresses of everyday life slip away as the paint glides on, and time gets lost. What a fabulous feeling. Do you prefer music, podcasts or silence when you are working? What is your favourite podcast or music? At first, I just didn't get why you would have an art journal or sketchbook. I thought what a waste of time, why not create directly onto your paper or canvas etc. Then........ I did a sketchbook course and that completely changed my thinking. I now have a few sketchbooks on the go, some I made during my Creative Circle program earlier this year. I also ahve a couple of sketchbooks in different orientations and spiral bound and hard bound. These books have been invaluable to me and my artwork. I use them for experimentation of colours, mark making, new supplies and ideas. If I happen to do a course, I use a sketchbook to document my learnings. If an idea comes to me, I put it into my sketch book. One of my favourite things to do in creating art is to colour mix so I use it to swatch colours and experiment with different palettes. Recently, I was working on a piece and knew it needed something, there was a little something that was missing. I flicked through a couple of sketchbooks and voila, there was my answer with one of my mark making experiments. It is just what was needed to bring the piece to life. Of course, when you are out and about a small sketchbook, a couple of pencils and even a small watercolour set is a great way to capture a moment in time. When I started back creating, I had nothing in my kit of supplies. Most of my creations of late had been on the computer in the form of social media posts and writing articles, eBooks and training manuals. I purchased two large canvases on sale and hubby came home with some paint brushes and paints. The paints were small tubes, the brushes were cheap and cheerful, but it was a start. I then purchased some small canvases 20cm x 20cm and artist boards 25cm x 20cm to practice on. Hubby and I spent hours painting and enjoying the process. I started off with student grade paints, and those cheap and cheerful brushes. By the way, it was weeks later we painted on the large canvas, after hours and hours of practice. If you plan to start dabbling in art for a hobby, start with what you have and what you can afford. Enjoy creating every day without worrying about wasting paint or messing up an expensive brush. Have fun and enjoy the moment. |
AuthorLee Cummins is a mixed media artist, workshop and art class facilitator. Archives
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